NIE! "Nothing More To Lose" by Najwan Darwish

Title: Nothing More To Lose
Author: Najwan Darwish

Translator: Kareem James Abu-Zeid 

Short-Form: Rabindranath Tagore

Rabindranath Tagore is far more well-known as a Bengali writer (among other things) than as a translator. And shouldn't he be? He was the first non-European to receive a Nobel Prize for Literature. In addition to literature, he was skilled and insanely influential to Bengali music and art. As an Indian nationalist, you'll find his compositions as national anthems.

But resources on his views of translation are fairly scarce. He did, however, write to the Spanish translator Joan Mascaró on his translation of the  Upanishads, a collection of Hindu philosophical texts.

Short-Form: Walter Benjamin's "The Task of the Translator"

The philosopher Walter Bendix Schoenflies Benjamin was born on July 15, 1892 to an assimilated Jewish family in Berlin. While a bulk of his writings is directed towards exploring history and art, he also wrote about translation.

“The Task of the Translator” is dense, packed full of complex theory. It wouldn't be difficult write a dissertation based on one or two lines of the text.

This, however, will not be a dissertation. Instead, I’ll summarize and try to explain the most basic elements of Benjamin’s theory. Granted, it's nearly impossible, and it would be very easy to write a thesis on one or two lines from this article. Keeping that in mind, let's dive into the basics...

Thoughts for the Post-Colonial Reader

“The close relationship between colonization and translation has come under scrutiny; we can now perceive the extent to which translation was for centuries a one-way process, with texts being translated into European languages for European consumption, rather than as part of a reciprocal process of exchange.” – from Post-colonial Translation by Susan Basset & Harish Trivedi

Post-Colonialism has long since wedged itself into the cultural limelight, notably in the realm of pop culture and cultural appropriation. Translation and foreign literature has not escaped its purview, and while many readers may shirk away for one reason or another – to political, too liberal – it’s an important factor to think about. For, to some degree, colonialism has chosen and reinforced what we read.

However, now foreign novels are not translated into English nearly enough, meaning that we know less about the world and its peoples than we did before. While novels, movies, advertisements are translated out of English and into a multitude of other languages; the international novel market in the United States is still relatively small. The US has largely monopolized its culture through exporting it.

So what can we understand that’s useful for us readers about the translation and post-colonialism?

How To Decide On A Translation: 5 Steps for Literature Lovers

Summer has finally arrived, and somehow, you've managed to find the time to read Anna Karenina. Or maybe it's Siddhartha by Hermann Hesse or Candide by Voltaire. Whatever you're reading, it the original was written in a tongue you don't understand. And anything famous, anything translated, must have the trait of being universally understood, right? Any translation should do if that's the case.

But is it?